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・ José Luis Vega
・ José Luis Vegar
・ José Luis Velasco
・ José Luis Veloso
・ José Luis Villagra
・ José Luis Villanueva
・ José Luis Villarreal
・ José Luis Villegas Méndez
・ José Luis Vásquez
・ José Luis Zamanillo González-Camino
・ José Luis Zavalía
・ José Luis Zelaye
・ José Luis Zertuche
・ José Luis Zorrilla de San Martín
・ José Luis Álvarez
José Luis Álvarez (artist)
・ José Luis Álvarez Martínez
・ José Luis Íñiguez Gámez
・ José Luiz de Oliveira
・ José Luiz Ferreira Rodrigues
・ José Luiz Olaio Netto
・ José Luiz Pereira
・ José Luiz Plein
・ José Luiz Santos de Azevedo
・ José Luna
・ José Lutzenberger
・ José Luzán
・ José Luís
・ José Luís (footballer born 1908)
・ José Luís de Jesus


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José Luis Álvarez (artist) : ウィキペディア英語版
José Luis Álvarez (artist)
José Luis Álvarez (3 June 1917 Guatemala, Guatemala – 5 February 2012 Antigua Guatemala) was a Guatemalan artist who, from 1976 until his death, lived and painted in Antigua. He became known as the one of the best landscape artists from Guatemala,〔〔〔 and was part of a generation of prolific artists who, as exponents of national art, defined the Guatemalin School. Álvarez developed a distinguished wide impasto technique, using the spatula, and a great delicacy in the use of color.〔
== Early career ==
Álvarez had exhibited his works in domestic and international solo and group exhibitions, but notably in Guatemala at the Instituto Guatemalteco Americano (IGA), the National School of Fine Arts, la Fundación Arte Paiz, Juannio National Art Exhibition, Rotary Auction, and the National Art Gallery.
; Awards
In 1938 he won second prize in the National Competition Fair November. He also won first, second and third prizes at the Fiesta de los Morenos in Mixco, and won multiple prizes in Quetzaltenango. In the Arturo Martínez competition, won the first prize three consecutive times.
; National commissions
In 1948, he was commissioned to help restore the National Palace of Guatemala and the Church of San Juan del Obispo. He restored altar pieces and colonial paintings. He also remade missing gilded gold leaf pieces for the colonial assemblies.
; National restoration project sponsored by UNESCO
In 1956, the Guatemalan Commission for UNESCO organized and underwrote the restoration of several paintings from the Guatemalan colonial era. Projects were carried out in specialized workshops in the Capuchin Convent in Antigua. The restorations were led by a mission headed by a British expert sent by UNESCO, Helmut Ruhemann (1891–1973), and had as national partners to Carlos Morales, Luis Álvarez, and his son, Luis Alberto Álvarez.〔 The Ministry of Education (es), directors of national museums and the directors of the Department of Fine Arts facilitated its development. The restored works were exhibited at the National School for the Arts.〔 UNESCO bestowed Álvarez with a restorer diploma in 1956.
; Restoration in Guatemala City
In 1958, he returned to Guatemala City to resume restoring works that had been delayed for over half a century, carving, gilding and parts embodied colonial style. He also devoted himself to the restoration of paintings and antique images. He taught privately at the Galería Ríos,〔 a gallery founded by Miguel Ángel Ríos (1914–1991) in the early 1950s.
; Educator
In 1959, Álvarez joined the faculty of the National School of Arts where he flourished for 27 years until he retired to continue working in his workshop in Antigua, Guatemala.

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